Philosophy of SAIBI

The Space Between Architecture and Function

Tools for labor, furniture that benefits people, human-centered artificial creations. Without abandoning this set of concepts, we have embraced the tacit sensibilities ingrained in Japanese culture. The result is office furniture born from a foundation that neither denies nor conquers. A new form of sophistication emerges while having both structural and natural aesthetics. It is reminiscent of temples or the millennia-old cedars that evoke both grandeur and tranquility.

Non-Border Dignity

Traditionally, authority within labor organizations asserted itself by isolating individuals and their environment, while creating visual and psychological distance from others. If this is called ‘cold authority,’ we believe in the existence of ‘warm authority,’ an admirable presence that commands respect not through separation, but through openness. In our philosophy, objects that embody the essence of dignity and grandeur, thoughtfully updated for the present, foster both individual respect and collective harmony in human-centered workspaces. [Fig 1]

Fig 1. Non-Border Dignity

Connecting Labor and Emotion

"Seeing is believing, but touching is understanding." These words, spoken by a Swedish clinical surgeon Göran Lundborg, suggest that without physical engagement, our deep connection to the world remains incomplete and, likewise, no single sense can fully grasp reality. On the contrary, we believe that surrounding ourselves with furnishings that engage all our senses in harmony ― without overwhelming them ― enhances our perception of the world, allowing us to experience it more deeply and gain fresh insights into our interactions with it.

― "When the hands are active, the mind travels far, shattering the paths of creation, forming brilliant ideas." (Göran Lundborg)

Movements That Connect

Stepping stones placed in a garden not only suggest the path for one's feet, but also intuitively guide the next step, steering the body and urging movement without conscious thought. This seamless flow of movement is shaped by intentional design and represents an unspoken form of hospitality from designer to user.

― "The objects which surround my body reflect its possible action upon them." (Henri Louis Bergson)